WHEN IS CORNWALL NOT CORNWALL? REBECCA 2020

 

I read Daphne Du Maurier’s Rebecca for the first time this year during lockdown.  I wasn’t sure what to expect, but I found it to be one of the most amazing stories ever written.  Inevitably, such a famous novel found its way to the big and small screen, most famously in 1940 with Laurence Olivier playing the tragic Mr de Winter and Joan Fontaine playing his socially awkward second wife, struggling to step into the footsteps of the first Mrs de Winter, the Rebecca of the title. Shortly after I read the novel I learned that a new version was to be released, with Armie Hammer playing opposite Lily James, and with Kristin Scott Thomas as the forbidding head housekeeper Danvers.

 

I rushed to watch this new version, in anticipation of seeing some familiar scenes from my native Cornwall,  However, it turns out that just about anywhere other than Cornwall was used for the locations (at least the film used UK locations, unlike the 1940 version, which was largely filmed in California). 

 

As in the original, the film kicks off in the South of France, but the hotel suite occupied by the dreadful Mrs Van Hopper and the “new Mrs de Winter-to-be” is not in France at all, but was filmed at Waddesdon Manor in Buckinghamshire, which has a suitably chateau-like appearance.  The Manor was built by Baron Ferdinand de Rothschild in 1877 as a summer bolt-hole for entertaining.

                                  Waddesdonterrace. Photo by Giano, via Wikimedia Commons.

The first glimpse of Manderley as the newly weds drive up to the property was filmed at Cranborne Manor, midway between Wimborne Minster and Salisbury.  The great entrance hall where the couple are greeted by the servants was filmed at Hatfield House, Hertfordshire, which was also used for a pivotal point in the story when Mrs de Winter mark 2 is tricked into choosing an ill-advised costume for the summer ball she and Max are hosting at Manderley.  The painting which provides the inspiration for the outfit is in real life a portrait of Mrs Hugh Hammersley, which is to be found in Hatfield House.  The Persian rugs and wood panelled walls seen in the interior scenes were also from Hatfield.    

 

Cranborne Manor - geograph.org.uk - 1223951.  Photo by Mike Searle, via Wikimedia Commons.

As Mrs de Winter is seen exploring Manderley, there are many works of art in view.  Some of these are from the interior of Petworth House, West Sussex, which was used for some of the scenes.  Meanwhile, for Rebecca’s wing of Manderley, which has been kept as a shrine to her by Danvers, we are transported to Dorset, to Mapperton House, which is also where the accident with the precious porcelain was filmed.  The East Wing bedrooms, however, are from Loseley House near Guildford.

In the ‘downstairs’ part of Manderley, where the servants hang out, we see the basement kitchen and the corridors leading to and from it.  The kitchen area of Osterley House in the London Borough of Hounslow was used for these scenes, with some crockery and food items added in to complete the scene.  Osterley House also provided the stables for the scene in which Mrs de Winter was persuaded to try her hand at horse riding by Rebecca’s cousin, Jack Favell (Sam Riley). 

 

                                 Osterley Park 800. Photo by Sannse, via Wikimedia Commons.

For me, the biggest disappointment of the filming locations, given the gorgeousness of the Cornish coast, is that the coastal scenes were filmed outside the county, specifically at Hartland Quay, North Devon, recognisable from its unusual rock formations.

 

                Hartland Quay - panoramio (3). Photo by Matt Prosser, via Wikimedia Commons.

Waddesdon Manor is about five miles north-west of Aylesbury and is open to visitors, with advance booking only during the coronavirus pandemic.  The beautiful grounds include an aviary housing a range of exotic birds.  The house is a repository for an extensive collection of art, in particular 18^th century French pieces, this being a favourite period of the Rothschilds. 

Cranborne Manor, just outside the village of Cranborne, is notable for its gardens, originally from a design by John Tradescant in the 17^th century and rediscovered in the 19^th century, then replanted in the Arts and Crafts style a century later.  Visitors to the gardens also have access to a cafe and a shop.  Hatfield House, dating from 1611 and owned by the Cecil family for 400 years, has been used extensively in filming.  The house and gardens are open to visitors except for the winter season, when only the park and woodland walks, the cafe and shops are open. 

Petworth House is on the edge of the small town of Petworth, West Sussex.  This vast 17^th century house and its grounds are run by the National Trust.  Works of art on display in the state rooms include paintings by Van Dyck, Turner, Reynolds and Gainsborough.  Mapperton House is near Beaminster in Dorset and is the home of the Earl and Countess of Sandwich.  Both the house and gardens are open to visitors.  Loseley Park lies just beyond the southern edge of Guildford, Surrey.  The gardens are open to visitors in the summer, and the property is also available for weddings.  In normal, non-covid, times the house can be visited on guided tours.

Osterley Park and House, run by the National Trust, lies between the M4 and the Great West Road just a few miles east of Heathrow Airport.  The house is in the neo-classical style, designed by Robert Adam and is surrounded by landscaped parklands and gardens.  Hartland Quay is at the western extreme of the North Devon coast, known for its rough seas during the winter months, which have been responsible for many shipwrecks over the years.  The distinctive layered rocks seen in the film are sedimentary rocks deposited during the Carboniferous period.